Strange things are afoot at CURIOUS GOODS...and it's not all Uncle Lewis' fault this time.
Micki's long-absent fiancé Lloyd has rudely returned and wants to take her back home...and Micki might just let him!
Meanwhile, over at Harrington Park, Groundskeeper Adrian (ENRICO COLANTONI - "Veronica Mars", "Just Shoot Me") has gotten his hands on a cursed antique mulcher that turns corpses into cold hard cash.
- Who will be mulched? Will they go feet first?
- Will Lloyd steal Micki away?
- Does Patrick have parasites?
- Who was invited to Trae's Backcomb Bonanza?
- Will Maya get D-matized?
- And what the heck is a "Kissy Faced Pimp"?
All this and more on Episode #10 of "DAMN YOU, UNCLE LEWIS!"
The "Root of All Evil" episode of Friday the 13th: The Series is available to watch on YouTube.
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Theme song: SINISTER (Darkwave Remix) by SAM HAYNES
Logo by KASEY LOMAN from EVIL GOODS DESIGN
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Oh, hello.
Speaker ACome in, come in, come in.
Speaker ADo come in out of the terrible weather.
Speaker AOh, welcome.
Speaker AWelcome to my very curious curio shop.
Speaker AAlthough I hate to inform you, the shop is closed for tonight because there's a.
Speaker AWell, it's a rather special evening.
Speaker AIt's a monthly meeting of sorts.
Speaker ASo unless you're here for the meeting, I'm going to have to ask you to leave.
Speaker AThe nature of the meeting, you ask.
Speaker AWell, let me put it to you this way.
Speaker ASometimes Uncle Louis does dreadful things.
Speaker AWelcome to Damn you, Uncle Lewis, the Friday the 13th series retrospective bad Game.
Speaker ASo welcome back, everybody.
Speaker AWelcome back to my very curious, curious shop.
Speaker AAnd we're meeting down in the deepest, darkest section of the vault because it's that time of the month again.
Speaker ANo, not that time of the month.
Speaker AThe other time of the month.
Speaker AThe time of the month where we get together to talk about Uncle Lewis and what he's done this time.
Speaker ASo everybody get inside the vault, lock the door shut, because we're about to have a kiki.
Speaker AAll right, and who, whoever.
Speaker AWho else am I going to be kikiing with except my two main boos who made me go Boo Murphy and Trey Dean.
Speaker BHello.
Speaker AI am pumped up on so many drugs.
Speaker AI have so much energy and so do my parasites.
Speaker CIt runs in the family.
Speaker AI might have parasites.
Speaker AKids.
Speaker AAnyway, you don't worry about that.
Speaker AWe're not talking about that right now.
Speaker DDon't worry about it.
Speaker DIt's fine.
Speaker DEverything is fine.
Speaker DThe parasites are gonna ask for credit on the podcast, though.
Speaker DThey want to be listed as special guests.
Speaker AThey will sue.
Speaker AThey will sue.
Speaker ASomething's gonna pop out of my head and be like, well, you wanna know what I think about Robi's hair?
Speaker AI'll be like, shut up, ding dong Patrick from the future here.
Speaker AJust for the record, it turns out, no, I did not have parasites.
Speaker ABut we're gonna joke about that couple of episodes because I did have diarrhea for a really long time, but that just comes with being a longtime HIV survivor.
Speaker ABut it's gone now, thank goodness.
Speaker AAnyway, stop thinking about me pooping.
Speaker ABack to the show.
Speaker AOh, yeah, we share parasite.
Speaker AOh, yeah.
Speaker ABy the way, listeners, just, you know, just before we did the show, Miss, I didn't talk about this on the podcast last time because I thought it would be too much.
Speaker AThat smoochie seems to have the same thing I have.
Speaker ASo when I.
Speaker AThat last.
Speaker AThat last week when I was shitting all over the house, she was also shitting all over the house.
Speaker ASo it was a shit House over here.
Speaker ABut she.
Speaker AJust before we started recording, I saw her hop on bed and start to assume the position, and I grabbed the nearest thing and stuck it under her butt.
Speaker AIt was my notes for this episode.
Speaker AGood luck, everybody.
Speaker AWe're flying free.
Speaker AAnd it's tough because this episode is super complicated because there's so much going on.
Speaker AFirst of all, we got Eric, Colin, Tony.
Speaker AYou know, Veronica Mars is dead.
Speaker ABut on top of that, we have got the return of Lloyd.
Speaker AWe have got four completely separate hair crimes, one of which does not belong to Mickey.
Speaker AWe have two hair miracles.
Speaker AMickey gets laid, coin gets slapped, and Vita comes back.
Speaker AOh, yeah.
Speaker AAnd there's also a cursed object or something.
Speaker DOh, yeah.
Speaker DIs that why we're here?
Speaker AThat's not even getting into the main plot.
Speaker AThat is how crazy this episode is.
Speaker AThe episode we're talking about is the root of all evil.
Speaker AAnd, Maya, you did it last time, so I got to say, Trey, please tell us about what's going on in the root of all evil.
Speaker CCursed object is the.
Speaker CThe wonderful antique we all know about.
Speaker CA mulcher, a giant mulcher that when you put people into it, the more they're worth, the more money it will spit out.
Speaker CSo it ends up in the estate of some old lady that is has volunteer workers for it.
Speaker COne of the guys is killing people with it.
Speaker CWho cares?
Speaker CI mean, honestly, it's just.
Speaker DWho cares?
Speaker DI cares, and Ruby cares.
Speaker COkay, well, thank you.
Speaker AWell, Roby was barely carrying this episode, right?
Speaker DI caught my.
Speaker DMy husband.
Speaker CI know.
Speaker DFiance.
Speaker CThis is.
Speaker CYeah, because who cares about that?
Speaker CBecause this is a very special Roby episode.
Speaker AOh, Jesus Christ.
Speaker AIt really is.
Speaker CYeah.
Speaker ANo, no, it is.
Speaker AIt is a Mopey Moby episode.
Speaker AMopey Moby.
Speaker ANo, that's.
Speaker CA Mopey Roby.
Speaker AI was gonna say mopy.
Speaker AMopy Mickey.
Speaker AMoby Mickey.
Speaker DNo, that.
Speaker DThat's the.
Speaker DThe.
Speaker DThe clerk's logo, right?
Speaker DIs Moby Movie.
Speaker CMopey Movie.
Speaker DMoby Movie.
Speaker DMoby Roby Movie.
Speaker CAnd Roby.
Speaker DWe're all doing very well this evening.
Speaker DPatrick.
Speaker DDid we lose?
Speaker AI passed out.
Speaker AHis parasites want to pop my parasites.
Speaker AWant to get my ass up into the camera.
Speaker DYou heard me mention Clerks, and you're like, oh, she's going to talk about Tusk again.
Speaker ANew Jersey again.
Speaker AOh, my God.
Speaker ANow I would talk about Tusk just because what's his name turned out to be a little snack when he grew up.
Speaker CJustin Long.
Speaker ANo.
Speaker ASixth Sense kid.
Speaker DNo.
Speaker DYeah, the bear.
Speaker DThe little baby bear.
Speaker AHe's a cute little cuddle Bear now.
Speaker ABut we're not talking about that.
Speaker CHe's very cute.
Speaker AWe're not talking about that.
Speaker AWe have time.
Speaker AWe're talking about some serious things.
Speaker AOkay?
Speaker ASo right.
Speaker ATrey is absolutely right.
Speaker AWe're talking about a curse mulcher that processes corpses into cash.
Speaker CYep.
Speaker DThey don't have to be corpses.
Speaker DThey will.
Speaker ASeven corpse for cash.
Speaker A1, 8, 7, 7 Carbs for cash.
Speaker CGive us your corpse, we'll give you money.
Speaker CIt's that easy.
Speaker DOh, Lord.
Speaker AI trust the mulcher more than I cross the trust those creepy kids in that commercial.
Speaker AThank you very much.
Speaker DYeah, that's fair.
Speaker DMarshall is cursed.
Speaker DThat's a cursed object.
Speaker AActually, so is this episode because we've tried to record this once before and like, squad cast was having problems, but we're hard here now.
Speaker ARegret.
Speaker AThat's why we're all.
Speaker DWe tried to go to somebody who wasn't squad cast and they did not love us and they did not treat us well.
Speaker DAnd now we're back.
Speaker AThey loved us.
Speaker AWe had.
Speaker AWe.
Speaker AWe did not love them.
Speaker AThey gave us inferior products.
Speaker AI said, this is for Patreon, you sons of.
Speaker AAre you kidding?
Speaker AThis isn't riff raff.
Speaker AI don't record in a blue yeti microphone, please.
Speaker ANow, I was saying to Maya and Trey beforehand that this, since this episode is a mopey Mickey episode, it kind of sucks away completely from the main story, which is kind of a disappointment because this is a fun little cursed object.
Speaker AIt's gnarly, it's gross, it has tons of potential.
Speaker AWe don't.
Speaker AIt never really lives up to it because we keep going back to Mickey moping in various lounging positions with her.
Speaker DHand on her forehead, in her dressing.
Speaker AGown with her head hovering over her pillow so that her hair is not touching her pillow so her hair doesn't get fucked up.
Speaker AIt's hair crime number one.
Speaker DHaircut.
Speaker APut your head on the pillow.
Speaker CHer accent keeps changing.
Speaker CShe keeps going.
Speaker AWhat else is new?
Speaker DI mean, yeah, that.
Speaker DThat's a constant, though.
Speaker CYeah, it was pretty abrupt when you know something's happened.
Speaker AShe's like, but I've been busy at the store.
Speaker DAt the store.
Speaker AI'm like, mickey, never trust a guy whose name starts with two Ls.
Speaker AIt's not going to end well.
Speaker ALloyd Llewellyn them all.
Speaker DNo, no.
Speaker DNo Welsh boyfriends for you.
Speaker DSorry, Ruby.
Speaker AOh, please.
Speaker AShe needs another accent in her repertoire.
Speaker CNo, actually, never trust a guy who's gonna stalk you in a three piece suit.
Speaker DOh, we're gonna talk about that too.
Speaker DWe're gonna get to that.
Speaker AYeah, yeah, yeah, yeah, yeah, yeah.
Speaker AThat is, if we're not overrun by kissy By.
Speaker ABy a horde of kissy face Pams beforehand.
Speaker AWe're not there yet.
Speaker DSo that what you named your parasites?
Speaker DThe kissy face pins?
Speaker CYeah.
Speaker ASo we're gonna split things up a little bit because, like, at certain points it's gonna get really difficult going back and forth.
Speaker ASo at certain points, I'm just gonna, like, try to focus mostly on one story or the other.
Speaker AWe'll get to both of them, but instead of going in little bits, we're going to go in big chunks.
Speaker AOkay.
Speaker ASo it's not completely chronological.
Speaker AYou guys understand it?
Speaker AWe're all good.
Speaker AOkay.
Speaker ASo here we are out in, you know, suburban America town where it's perfectly okay to murder your mother on the street in broad daylight in the middle of a public.
Speaker DBecause in suburban America town, we do have a high enough fence where you won't notice a little old lady disappearing.
Speaker DYeah, we open up with a little old lady and her son, who's an adult, helping her with lawn work, and he comes down on her head with a rake.
Speaker DBut because we can't afford the special effects, just on the ground, she has these beautiful, evenly spaced blood spots on her forehead.
Speaker DSo she's been quite thoroughly stabbed and she's dead now.
Speaker AFive little drops.
Speaker AYeah, yeah, yeah.
Speaker ABut you know, personally, I think if she treated the neighbors like she was treating her son, in the five seconds she was on screen, the neighbors are like, didn't see a thing.
Speaker DOh, she's gone.
Speaker DOh, you dumb.
Speaker AOur property value just went up.
Speaker AOh, how traveling is she?
Speaker DOh.
Speaker AOh, no.
Speaker AAren't you done yet?
Speaker AWhat's the matter with you?
Speaker AGet that stuff in the shredder and get over here.
Speaker ASure you chopped all that garbage?
Speaker AProbably not.
Speaker AAnd I should point out now that our villain's name and this opening scene, his name is Harley o'.
Speaker AConnor.
Speaker AAnd I thought, oh, gosh, we're gonna.
Speaker AJack sent the out of this and it didn't happen.
Speaker DNo Jack sent this episode.
Speaker ANo Harley o'.
Speaker AConnor.
Speaker AAre we gonna go.
Speaker AOh, we're gonna go visit you in the asylum.
Speaker AHarley o'.
Speaker AConnor.
Speaker AThey're gonna put her all time.
Speaker AYour own lost cousin Harley.
Speaker DDaughter, get that Lucky Charms accent back in your pocket.
Speaker AThat wasn't me.
Speaker AThat was my parasite.
Speaker APara osite.
Speaker AOf course, the crowning glory is that he runs her through the mulcher that he has nearby.
Speaker ASo now we cut back to curious.
Speaker AWe cut to curious goods for the first Time.
Speaker AAnd there's Jack and Ryan.
Speaker AAnd Jack gets a letter.
Speaker AWhat's in the letter, you guys?
Speaker DIt's a letter thanking Uncle Lewis for whatever dark things they shared together.
Speaker DAnd There's a crisp 100American bill.
Speaker BThank you, Mr. Vonder D. I now realize we both find pleasure in using the keen edge, the cutting edge, as it were, of the knowledge we obtain from.
Speaker BFrom below enclosed as a small token of my appreciation.
Speaker AAnd so, of course, they're both alerted to it.
Speaker AThey're like, that's up.
Speaker AOkay, look at the postmark.
Speaker AWhere did this come from?
Speaker ALet's figure out who bought this thing.
Speaker AAnd they trace it to immediately to a mulcher from 1937 that was purchased by a Mr. Harley O'.
Speaker AConnor.
Speaker ASo the thing is with this episode, too, is that we are a hundred steps ahead of our heroes the whole time.
Speaker ASo we're waiting for them to play catch up.
Speaker ASo it does get kind of annoying.
Speaker ASo bear with us there.
Speaker ASo a lot of it we already know in advance, but so we don't get a lot of Jack is gay in episode this episode, however, Ryan does ask him out on a date.
Speaker BLooks like we got two choices.
Speaker BLunch at Saint Tropez, dinner at Makambo.
Speaker BEither way, about 100 bucks for two.
Speaker BI don't think we should spend it just yet.
Speaker DRyan does ask him out on a date.
Speaker DHe says, well, we have two options.
Speaker DIt's lunch at the place or dinner at the other place.
Speaker DEither way, it's gonna cost you about.
Speaker A100 Bucks at the San Tropez.
Speaker DIs that a real place?
Speaker AI believe that would be the San Tropez, but then again, it's America Town,.
Speaker DSo yes, it's America Town and it's Ryan, so.
Speaker CAnd Ryan's being wacky nobody.
Speaker AHe's like, that's, hey, we can have lunch at the Santrope and dinner in some place at dinner a lunch for two at the Santa Pan.
Speaker ADinner for two.
Speaker AIt's the way it all comes about to 100 plus.
Speaker ASo they were never including Mickey.
Speaker AAnd this because they already know that she's been a mopey piece of crap this whole episode.
Speaker AThey call for reservations or whatever the hell they're going to do.
Speaker ANot.
Speaker AThey called.
Speaker AThey called to hunt down Harley o'.
Speaker CConnor.
Speaker ACall the phone number that's in the register.
Speaker CYeah, for.
Speaker AFor Harley o'.
Speaker AConnor.
Speaker ABut they can't call.
Speaker AWhy can't they call him?
Speaker CBecause he's not.
Speaker CThe phone's been off, taken.
Speaker DWe don't learn what happens to him.
Speaker AMickey's Mickey's on the line.
Speaker COh, that's.
Speaker DOh, that's right.
Speaker EI know it's been two months, darling.
Speaker EYou just have to trust me.
Speaker EI have unfinished business.
Speaker EOf course I still want to marry you.
Speaker EI don't know, maybe another month.
Speaker DNo, I'm not having an affair.
Speaker AMickey's on the phone with Lloyd.
Speaker ANo, you hang up.
Speaker ANo, you hang up on the phone.
Speaker DYou hang up on the phone.
Speaker CI love you more.
Speaker CNo, I love you more.
Speaker DOh, except that's not what's happening.
Speaker DMy notes say, poor crying Roby.
Speaker AYeah, you don't think I want to stay here alone with these two weirdos in this antique shop?
Speaker AAnd if you don't remember, Lloyd is Mickey's infrequently referenced fiance that we haven't seen since episode one.
Speaker CBut we should hold this for the beast storyline.
Speaker AOh, yeah, yeah.
Speaker AWell, we're not quite in a bit.
Speaker AJust because this is the part of.
Speaker DThe setup I want to mention that we do.
Speaker DOne of my favorite things that happens in TV is that we use an actor's headshot as a prop.
Speaker DSo when we are panning.
Speaker AOh, oh, we get a lot of that in this episode.
Speaker AEvery time it's up with, like, Maya's smiling right now.
Speaker ANow every.
Speaker DEvery time we pan over to Ruby crying in bed, leaning her head just so as to not crush her hair on the pillow.
Speaker DLloyd's headshot is just sitting on her bedside table.
Speaker ABut she's looking.
Speaker AShe's looking at it.
Speaker ABut the way it's positioned, like you're looking at the back of it.
Speaker ABut that's TV sight lines.
Speaker AWhatever, that's fine.
Speaker AThat's just me being an.
Speaker AOkay, so what's going on in our main story is that this elderly rich woman whose name I don't remember, and Mrs. Harrington, she.
Speaker AHer husband has passed away and she has this huge property of land attached to her house.
Speaker AAnd she has decided that, you know, her husband is part of her husband's wishes.
Speaker AAnd she agrees, well, that they're going to turn all of their private land into a public park.
Speaker ASo there's all this hullablue about getting the park set up.
Speaker AAnd she's great and so is her assistant.
Speaker AAnd what I love about them both is that they're not using British accents.
Speaker AThey're using rich people accents.
Speaker DOh, yes, they have that, like, slightly affected.
Speaker DOh, well, we don't speak like the ordinary people.
Speaker AOh, no, no, no.
Speaker ACome, Mrs. Harrington, it's almost time for luncheon.
Speaker AConscience.
Speaker CI thought she was a British accent.
Speaker CI was like she's just doing a really bad British accent, but so is her.
Speaker DHer assistant with an ascot.
Speaker AIt wasn't quite British, but this whole plot line is kind of British.
Speaker AThis is a very British thing to do.
Speaker DVery British thing to do.
Speaker ALands to parks.
Speaker AYou know, the.
Speaker AWhat is it?
Speaker AA money poor house, rich.
Speaker CYeah.
Speaker AType of thing.
Speaker ALike we have no money, so we're just going to sell off all this land.
Speaker AWe're going to keep the house anyway.
Speaker ANeither here anyway.
Speaker ASo there's all these people working to get the park up and running and beautifully landscaped.
Speaker ASo we meet our landscapers.
Speaker AWe have, we have Ms. Smitty, this older guy, and his assistant Adrian.
Speaker DAdrian says he wishes he was raking in the money instead of raking in the leads.
Speaker DCool thing to say in your first day of the job, bro.
Speaker CYeah.
Speaker DYou think the elder groundskeeper is going to help you?
Speaker CYeah.
Speaker ASo what we're, we're learning in all of this is that we're getting it.
Speaker ANot directly, but it's implied that the ownership of the mulcher has changed hands.
Speaker AIt's not Harley o' Connell anymore, it's this guy Smitty.
Speaker ABut what we're also learning is Smitty is a decent guy.
Speaker CYes.
Speaker CWhen you're my age, young man, you'll.
Speaker AFind that your best friend will be a hot bathtub every night.
Speaker DSo it doesn't call to him because he works hard and he's giving Adrian advice on.
Speaker DYeah, it can be hard on your body.
Speaker DA hot bath is going to be your best friend.
Speaker DHe's not wrong.
Speaker DI love a hot bath.
Speaker AOh, yeah.
Speaker DMy lumbar spine loves a hot bath.
Speaker CWe do got to say also, Adrian is played by Enrico Enio.
Speaker AEnrico, Colin from Veronica Mars and Jesse.
Speaker AJust shoot me.
Speaker CYeah.
Speaker CVeronica Mars's dad.
Speaker AYeah, yeah.
Speaker AAnd I've seen his.
Speaker AI've seen his colon and his Tony because he gets naked on stage a lot.
Speaker CYeah, there you go.
Speaker DI loved Just Shoot Me.
Speaker AYeah.
Speaker AIt was a great show.
Speaker AIt was a great show.
Speaker AAnd he.
Speaker AAnd I gotta say, for a guy in his 60s, he's looking good.
Speaker CYes.
Speaker DWait, was he just in the American Crime Story?
Speaker EWas that him?
Speaker DThe Versace one?
Speaker CNo, no, it wasn't.
Speaker AI don't watch.
Speaker AI don't watch.
Speaker AI don't watch Ryan Murphy stuff.
Speaker CI thought it was him.
Speaker CIt was not.
Speaker CIt was someone else.
Speaker DI thought it was him too.
Speaker ANo, I just saw him something.
Speaker AWhat's that?
Speaker AWhat's that theater on Christopher Street?
Speaker AThe Louise Lortel.
Speaker AYeah, yeah, yeah.
Speaker AHe was In a show there called Fear, which lasted about a week before everything got shut down.
Speaker AAnyway, back to the story.
Speaker ASo, yeah.
Speaker ATara Collins.
Speaker AAnd he's.
Speaker AHe's doing a great job with this role.
Speaker CHe is.
Speaker AI think.
Speaker AI think he's a cool little villain.
Speaker AI like.
Speaker ABecause I watched it again today after Smoochie Shadow the notes.
Speaker CI was speed porting through it.
Speaker AWhat I like about his physicality is kind of cool in this.
Speaker DIt's weird and deliberate.
Speaker DRight.
Speaker DAnd even though he's, like, very charactery, it doesn't feel forced.
Speaker DHe just seems like a weirdo guy muddling through his choices.
Speaker CLumbers around.
Speaker AHe lumbers, but it's off center.
Speaker DYeah.
Speaker ALike.
Speaker AYeah.
Speaker ASo it's.
Speaker AIt's very.
Speaker AJust like.
Speaker AYou just get this guy's.
Speaker AIf his physicality is anything like his mentality, this guy's off kilter.
Speaker AIt was a nice way of portraying it without being obvious.
Speaker DOff kilter.
Speaker CHe has no personality, no character traits, but yet he comes across very dangerous.
Speaker CI thought this is a guy who is dangerous, especially in the context of the story.
Speaker AOh, yeah, yeah.
Speaker AAnd you're not the only one who recognized it, because the mulcher sure recognized it, didn't it?
Speaker CYep.
Speaker DYeah.
Speaker DThe mulcher's like, oh, hey, hey, Boo.
Speaker ASmitty is showing him how to use the mulcher.
Speaker AAnd you just see that moment.
Speaker AHe's just staring into the whirring blades, and he can see the rest of the world is going away.
Speaker ASmitty's going, blah, blah, blah, blah, blah, blah, blah.
Speaker ABut Adrian's hooked.
Speaker AThe problem is Smitty's hanging around, so he's not.
Speaker AHe's not gonna get to connect right about now.
Speaker DAnd he suggests, hey, Smitty, why don't you go home?
Speaker DIt's my first day on the job.
Speaker DI want to make your life easier.
Speaker AYeah.
Speaker AYeah.
Speaker AI'm gonna make your life easier.
Speaker AI'll do it.
Speaker AYeah.
Speaker AYou go home and take that bath you've been talking about.
Speaker CI'm a new guy.
Speaker CLeave me unsupervised for a while.
Speaker CYeah.
Speaker DYeah.
Speaker DThis isn't suspicious at all.
Speaker AWith dangerous equipment that I've never used before.
Speaker DThe ropes have learned them.
Speaker DIt's fine.
Speaker ABut unfortunately, also in this park, as we're pointed out by Mrs. Harrington's assistant, that the park is having a problem with delinquents.
Speaker CThis is a big park.
Speaker CThey have.
Speaker AThis is.
Speaker AIt's a.
Speaker AIt's huge.
Speaker AIt's very.
Speaker DI mean, they're wealthy.
Speaker DThey just have land, you know?
Speaker DSure.
Speaker DThey Stole it from someone.
Speaker DFair and square.
Speaker CExactly.
Speaker DYeah.
Speaker DKanye told me to buy some land with my.
Speaker DMy coveted money.
Speaker ASure.
Speaker DSo, yeah, we.
Speaker DWe run into a park vagrant.
Speaker CYes.
Speaker DWho happens to be a former co worker of Adrian in their shady dealings in the mob.
Speaker ALet's say cohort.
Speaker AI don't think he's working in anything, but we find out that Adrian owes a hell of a lot of money to a hell of a lot of people.
Speaker AHe's been doing some shady dealings and this guy is threatening to think him out to whoever took over terrible Tommy's place from last episode because he's gonna turn him over to the thugs are gonna come break his legs.
Speaker BWell, look at here.
Speaker BAdrian's got himself a job.
Speaker BI was wondering where you disappeared to.
Speaker BThere's a lot of interest in you on a streets, boy.
Speaker BWhat are you talking about?
Speaker BWords out on you.
Speaker BYou owe too much to the wrong people.
Speaker BShould have paid off your paper.
Speaker BLook, I'm good for it.
Speaker BHey, don't tell me.
Speaker BTell the leg breakers that are gonna come and see you.
Speaker BYou don't have to say anything.
Speaker BI got a little money.
Speaker BAnd you wanna pay me to keep quiet?
Speaker BYeah.
Speaker BOkay.
Speaker BYou come up with say 100.
Speaker BNo, no, make it 500 a week.
Speaker BAnd you buy my quiet.
Speaker AAnd I'm playing the sound clip from this because this had one of the most fascinating insults and interchanges of conversation I've heard on this show yet.
Speaker DOh, we've been obsessed with this insult for a couple weeks now since we tried to record it the first time.
Speaker BYou open your mouth and I'll kill you.
Speaker CYou.
Speaker BYou're a pretty boy.
Speaker AA kissy faced pimp.
Speaker AKissy faced, Pimped.
Speaker AWhat does that mean?
Speaker DMaybe it means there's like an upper echelon of the mob that's just like super gay.
Speaker DThat's scarier.
Speaker DI'm so here for that.
Speaker AThey do those European double kisses on the cheeks one month.
Speaker DI never liked that.
Speaker DDon't like.
Speaker DI'm from New England.
Speaker DWe don't do that.
Speaker DAnd I moved to New York and everyone kisses on the cheek and I'm like, why?
Speaker DYou're right.
Speaker DLike I'll just lick you.
Speaker ASo now we know that's the threat of the kissy face.
Speaker APimps.
Speaker AYou never know when they're not just gonna lick you.
Speaker ANo, not the kissy face.
Speaker ABam.
Speaker DNo.
Speaker AAnd you know this guy, this guy came up and picked a fight at the exact wrong time.
Speaker ABecause you know, during all this, the.
Speaker AThe mulcher starts itself and you hear,.
Speaker DYou see it goes, oh, maybe there will be a murder.
Speaker ARunning.
Speaker ALike the guy.
Speaker AThe guys.
Speaker AThe guy's yelling, is yelling at him and.
Speaker AAnd agent's just staring into those whirring blades again.
Speaker ASo he's hearing that call.
Speaker ASo the thing is telling him what to do.
Speaker AAnd what does it tell him to do?
Speaker CKids Balt.
Speaker DWe hit him over the head with something First, I think he takes his brown bag of liquor, cracks it over his head.
Speaker DThen we chuck him in the mulcher.
Speaker AYeah.
Speaker ACracks his head open, throws him in the mulcher.
Speaker AAnd what does he get in return?
Speaker ACold, hard American cash.
Speaker ANot Canadian.
Speaker CAmerican cash.
Speaker AAmerican cash.
Speaker CWell, this is an American show filmed in America.
Speaker AThat's right.
Speaker CTakes place in America.
Speaker DIt's American.
Speaker DOh, yeah.
Speaker COh, yeah, yeah.
Speaker AWhat I even liked about this scene is that the mulcher is spitting out cash beforehand.
Speaker ALike, hey,.
Speaker DIt's a little bit of pre.
Speaker DCash, you know, before the.
Speaker DThe real cash comes out.
Speaker CA little bit of precond.
Speaker CYeah, just a little precious.
Speaker DSee, I made it a joke.
Speaker DI said cash.
Speaker CYeah, I'm tacky.
Speaker CI'm crass.
Speaker AOkay?
Speaker DMeanwhile, you gross.
Speaker AWhile back at Curious Goods, we have lots of Mickey moping More.
Speaker ABut we have our first hair miracle.
Speaker AWe have a good 30 second scene of Wiki teasing the out of her hair with air dry.
Speaker CYeah.
Speaker AIt just keeps getting bigger and bigger.
Speaker AAnd then she flips it upside down.
Speaker AIt gets bigger and bigger.
Speaker AI'm like, this is amazing.
Speaker DThis is amazing.
Speaker AIt's a miracle.
Speaker AIt's.
Speaker AIt's like the loaves and the fishes, but with hair.
Speaker DBut with Aquanet, it has risen.
Speaker AYeah.
Speaker AAnd it's just more.
Speaker AMore whining.
Speaker AIt's just that she wants.
Speaker AShe wants.
Speaker AShe's.
Speaker AShe's sick of this life at Curious Good.
Speaker AShe doesn't like it anymore.
Speaker AShe wants her.
Speaker AShe wants her boyfriend.
Speaker AShe wants to be loved.
Speaker AShe wants to get some.
Speaker CSo what.
Speaker CWhat job did Mickey have before she took over the antique shop?
Speaker AWe don't know.
Speaker DLawyer's fiance.
Speaker AHi, I'm Lucy Bender, lawyer's fiance.
Speaker CWell, she takes, you know, she takes some time off to go to the funeral.
Speaker AWhat funeral?
Speaker COr not.
Speaker AActually, not the funeral.
Speaker CI'm thinking at the beginning of the series to go.
Speaker DTo go clean up the affairs, I believe is the phrase.
Speaker AIf you're.
Speaker AIf you're married to Lloyd, you're not working.
Speaker ASomething tells you your job is being.
Speaker CMarried to Lloyd is cleaning all three pieces.
Speaker ABased on what we see at the end of this episode, that's her job.
Speaker COh, yeah, yeah.
Speaker ASo it's lots of whining and she has to go out with Jack.
Speaker AJack brings her along to go to Harley o' Connor's old house, hush her to see if they can track down any information about the Moltre.
Speaker ADon't you know.
Speaker CYeah.
Speaker AAnd she's.
Speaker DI think you lost it at the end there.
Speaker AShe's bitching the whole time.
Speaker AThis is like one of the early episodes.
Speaker AShe is bitching this whole episode.
Speaker AAnd here we have hair crime number two.
Speaker AAnd fashion crime number one.
Speaker AI didn't notice how bad this was the first time around.
Speaker DOh, the high waisted jeans.
Speaker AThey weren't even jeans.
Speaker AOkay.
Speaker AShe's wearing this purple like sports jacket, which is cute.
Speaker ANot sports jacket, but you know, like a windbreaker, which is cute.
Speaker AShe's got some kind of like greeny top under it.
Speaker ABut she's wearing these pants, these legs, blue, gray, industrial.
Speaker ALike they look like polyester postman pants from the.
Speaker DI mean, you know, the.
Speaker DThe youths in Brooklyn are wearing Carhartts as fashion now.
Speaker DRight?
Speaker DLike it's come back around weird kind.
Speaker AOf 70s female fashion way where it made the whole crotch area look totally flat, but like pulled all focus to it too.
Speaker ASo it was like, here, look at my completely featureless groin.
Speaker AIt's very strange looking.
Speaker ABad fat, bad, bad, bad pants.
Speaker ABad pants, bad parent.
Speaker ABut yeah.
Speaker ASo she's just complaining.
Speaker AI know.
Speaker AThis is.
Speaker AEverything we talk about is insane.
Speaker AThis is stupid.
Speaker AIt's insane and blah, blah, blah, blah.
Speaker AAnd I don't want to be here.
Speaker ABlair.
Speaker EIt's obvious no one lives here any longer.
Speaker EJack, let's go over here.
Speaker AWe might as well check it out.
Speaker EWhat's the point?
Speaker EAny fool can see he's left.
Speaker EWe'll never find him.
Speaker EOne less curse to recover.
Speaker BWell.
Speaker BMickey, you don't mean that.
Speaker BMickey.
Speaker ELook, it's just that I'm getting so sick of this job I've been stuck with.
Speaker EWe've been stuck with.
Speaker DYeah.
Speaker DDid we get any.
Speaker DI didn't choose this life.
Speaker CYeah.
Speaker CAnd I just want Jack to push in the face.
Speaker CTold her to shut up, but he doesn't.
Speaker DOkay, but Jack obviously loves this.
Speaker AOh, please.
Speaker DHe is the wrong person to talk her down about having this thrust upon her because she.
Speaker DHe loves being a.
Speaker DA magic expert.
Speaker BWho?
Speaker DJackset?
Speaker AHe's the one who dumped this in the first place.
Speaker AIf he had never shown up, they would never have known.
Speaker DYeah, you're right.
Speaker AHe could handle this himself.
Speaker AHe could have just been like, okay, they sold everything.
Speaker AI'll track it all down.
Speaker AMyself.
Speaker ALet me take this register here.
Speaker AI'm going to take these total noobs who know nothing about magic or the supernatural.
Speaker DNo.
Speaker DHe needs a Scooby Doo gang.
Speaker AAnd put them in danger.
Speaker CHe's Bosley.
Speaker CAnd there is angels.
Speaker AThank you.
Speaker AYes.
Speaker AYeah, yeah.
Speaker ABut they get interrupted by some big creepy guy.
Speaker AWhat are you doing here?
Speaker DWith a crowbar?
Speaker AWith a crowbar.
Speaker AWho also has the same pants on that she does.
Speaker AAnd he's like £400.
Speaker AI'm like, oh, no, no, no, no.
Speaker AWhat's happening?
Speaker DWardrobe did not love that man.
Speaker DHis clothes did not fit him.
Speaker DNo.
Speaker CI don't think they were supposed to.
Speaker CNo.
Speaker CNo.
Speaker ABut he's big and scary and he's supposed to be a threat, but he's really just an exposition dump.
Speaker CYeah.
Speaker AWhere you find out what happened to Harley o'.
Speaker AConnor.
Speaker AWhat happened to Harley o'?
Speaker AConnor?
Speaker DHarley o' Connor went to an insane asylum.
Speaker BYeah.
Speaker ABecause they found his mother disappeared.
Speaker AThey found him with a big bag of cash, and when the police showed up, he attacked them.
Speaker AWe were wondering last time why he was in the asylum.
Speaker AThat's why he's in the asylum.
Speaker BHarley was an accountant or something, always talking about financial planning.
Speaker BHow come the house is empty?
Speaker BSomething happened to him.
Speaker BHe's in a mental hospital.
Speaker BCops caught him with a bag full of money, and his mother was missing.
Speaker BNobody's seen her for months.
Speaker BSome folks say he murdered her.
Speaker EWhat's he doing in a hospital?
Speaker EHe's been arrested for murder.
Speaker BWho said he was arrested?
Speaker AWay I heard it was, cops started.
Speaker BQuestioning him and he went nuts.
Speaker BStarted screaming about the teeth of hell or something.
Speaker AMouth of hell.
Speaker BSomething like that.
Speaker DWell, and he was also talking about the.
Speaker DThe teeth of hell, wasn't he?
Speaker DLike, you can't just attack the police and go, oh, I did it because I was insane.
Speaker DLike, there's a dialog about.
Speaker DYeah, about how he was definitely saying some crazy stuff.
Speaker AYeah.
Speaker AThe guy said.
Speaker AHe's always raving on about the mouth of hell or the teeth of hell, which, if you have an even evil mulcher.
Speaker AThe teeth of hell is a good way to describe it.
Speaker CYeah.
Speaker CBut if you ever arrested by the cops and don't want to go to jail, just start talking about the teeth of hell and they'll send you to the asylum instead.
Speaker AYeah.
Speaker AAnd we discovered that this guy, because I'm a white lady, he was an investment banker and stuff, and now he's an asylum, and he doesn't take any.
Speaker AHe doesn't, like, accept visitors.
Speaker ASo Jack gets this Brilliant plan on how to get information out of him.
Speaker AWhat plan does he come up with?
Speaker DOh, he comes in and he says, I'm a friend of Lewis, but he's passed away and I am his brother of the dark eyes.
Speaker AI am also evil.
Speaker CBlah, blah.
Speaker DI am also evil.
Speaker AFor this.
Speaker AAnd this scene is extremely distressing.
Speaker AThis whole scene in the asylum because we get so many inpatient upskirt shots on Harley Potter that was like, oh, no, this.
Speaker COh, go.
Speaker COh, God.
Speaker COh, God.
Speaker DWell, he's in one of those old timey wheelchairs, but he's keeps spinning around in it.
Speaker DAnd the camera can see just too much of under his little hospital gap.
Speaker AWe can see Harley's o', Connor, that's for sure.
Speaker CIt's a good thing this wasn't on hd.
Speaker DBut my, my favorite thing is, you know when he's like, okay, I'll collaborate with you, but you have to have a riskier portfolio.
Speaker AYeah.
Speaker AAnd Jack's like, what are you talking about?
Speaker AHe's like, oh, well, you'll probably just stick to killing the homeless kids and the runaways and stuff like that.
Speaker AThat's fine.
Speaker ABut you don't get as much money.
Speaker AThat's not the word.
Speaker CCapital.
Speaker AYeah.
Speaker AMuch capital back for that.
Speaker AJack said, what are you talking about?
Speaker AAnd Harley explains the whole thing.
Speaker AAnd I'm playing the sound clip.
Speaker AAnd I thought this whole thing was.
Speaker AIt was all just about getting a big return on your portfolio.
Speaker ALike, I need you to have a more diversified portfolio, which is the creepiest thing you could possibly say.
Speaker AWell, and I want to.
Speaker AYeah, just a numbers game to Harley o'.
Speaker CConnor.
Speaker CWell, can you imagine, like, them figuring this stuff out?
Speaker CLike they put a vagrant in there.
Speaker COh, we got somebody then, like, like some rich person.
Speaker CLike, holy cow, we gotta test this again.
Speaker DAnd it's so much harder to catch rich people, though.
Speaker DThey have, like, cars and doors that lock.
Speaker AYou know, they have wheels that come out of the bottom of their feet and stuff and they just.
Speaker CIt's true.
Speaker AYou haven't heard about the Roller Rich?
Speaker DWhat were those sneakers called?
Speaker DWheelies.
Speaker AYou haven't heard about the Roller Rich yet?
Speaker CPatrick's fun.
Speaker AOkay, so now we figured it all out.
Speaker AOkay, so they figured out that, that, that, that Harley told them that he gave it to somebody, he sold it to somebody, he sold it to Smitty Robert Smith, also known as Robert Smith from the Cure.
Speaker DLearn the rest of Smitty's name.
Speaker AHe's Robert Smith, Rob A. Smith.
Speaker ASo when he's not gardening, he's Fighting Mecha Streisand.
Speaker AAnd it was the 80s.
Speaker AThey had no excuse.
Speaker AThey had no excuse for making a mistake like this.
Speaker ABut I'm glad they did.
Speaker ASo this little man is really from the lead singer of the Cure as well.
Speaker ASo they track him down to the Harrington Park.
Speaker AMickey and him go to find him.
Speaker AAnd of course Mickey is still bitching, bitching.
Speaker AAnd we get another fashion disaster.
Speaker ANot Mickey.
Speaker AOh, I didn't notice it last time, but.
Speaker ABut Mickey's outfit here is wretched.
Speaker AShe's got this knit sweater on, but it only comes down to like the bottom of her boobs.
Speaker AAnd her skirt is pulled up to like mid waist.
Speaker ASo she just looks dumpy.
Speaker DYeah, it fucks with her proportions and like she's gorgeous and in excellent shape.
Speaker DAnd then.
Speaker ANo, it's like her clothes, her clothes are.
Speaker AAnd her clothes are representing her psyche.
Speaker AThis episode that's all.
Speaker CTorn apart.
Speaker ADing ding, ding, ding, ding, ding, ding.
Speaker AFashion award goes to Ryan the lion in this scene.
Speaker BYeah.
Speaker AWhen he goes to visit Mrs. Harrington.
Speaker AHe looks like a million bucks.
Speaker AHe's looking like new age 80s business dead on.
Speaker AHis hair looks great.
Speaker AEverything looks great.
Speaker DThe blazer with the crew collar.
Speaker AYeah, his hair had this nice little wave to it.
Speaker AHe just looked banging.
Speaker CI'll say this, the actor plays him as a.
Speaker CIs a cutie pie.
Speaker CJohn D. LeMay plays him as cute.
Speaker CSo Ryan always, always had a little crush on Ryan.
Speaker CHe's just.
Speaker AI say it, I guess Patrick is making a face.
Speaker AThe problem is he looks so.
Speaker AOkay, sidebar.
Speaker AThis actor looks so much like the guy who was my best friend my freshman year in high school.
Speaker ALike when I first started at my boys high school and it was like one of those friends that you knew.
Speaker AThis is a transitional friend.
Speaker AThis is somebody I latched on to just because there was nobody else.
Speaker AAnd I'm gonna, I'm just like a stepping stone to other people.
Speaker ASo.
Speaker AYeah, and he was, he was.
Speaker AYeah.
Speaker DIt's hard to shake the association.
Speaker AHe looks just like.
Speaker AHe looks just like him.
Speaker ADressed like him, talks like him.
Speaker DSuddenly it's, oh, that's gotta be weird.
Speaker AThat's not, not.
Speaker AIt was actually something we made fun of that kid about at the time.
Speaker BLike.
Speaker AYou're, you're a psychic to Roby.
Speaker AWe're 15.
Speaker CYou don't have a real job.
Speaker AI'm 15.
Speaker ASo they, they, they hunt down Robert Smith and Robert, they find Robert Smith.
Speaker AAnd Robert Smith is like, oh, you want to buy my, my Vulture?
Speaker ANo problem.
Speaker EWe're interested in buying it.
Speaker AWell, it's really not for sale.
Speaker AI couldn't replace it for what you'd pay me for.
Speaker BWell, what if we were to give you enough money to buy yourself a new one?
Speaker BSay $2500?
Speaker A$2500?
Speaker CWell, young man, you got yourself a deal.
Speaker AIt's on the grounds.
Speaker AJust give me a chance to load it up and I'll bring it up.
Speaker CI'll go and get it.
Speaker DThere's more steps to it than that.
Speaker DHe's like, oh, well, I actually really need it for my job.
Speaker DAnd then Ryan's like, what if he gave you way too much money?
Speaker DAnd then.
Speaker DThen Smitty's like, sure.
Speaker DThen Roby's like, what do you mean we didn't have enough money?
Speaker AWe have $105 that we found so far this episode.
Speaker AMickey, thank you very much, but, well,.
Speaker CHonestly, if you find a bad guy, chuck him in the mulcher.
Speaker CYou got the money?
Speaker DI don't think we're thinking that practically yet, but.
Speaker ABut no.
Speaker AI mean, I was just cutting to the chases that Robert Smith was not one of those antagonistic people that will run into the course of the series like, no, I don't know what you're talking about.
Speaker AI don't have anything.
Speaker AHe's like, yeah, I've got it.
Speaker AYeah, you want it?
Speaker ASure, yeah, I'll go get it.
Speaker ASmitty goes to go get it and never comes back.
Speaker CAnd they just like, oh, never came.
Speaker DAnd they don't pursue it.
Speaker DThey're just like, well, guess that's it.
Speaker DAnd they go home.
Speaker CThey don't want to suspicious that the.
Speaker CThey want to buy a cursed mulcher.
Speaker CHe goes to get said cursed mulcher,.
Speaker DSaid cursed item, and does not return.
Speaker AOkay, well, I think he ran.
Speaker AI think they say they think he ran, but okay, he didn't run.
Speaker AWhat happened to Robert Smith?
Speaker DOh, well, Adrien got some ideas.
Speaker CAdrian hears him talking about.
Speaker AYou overheard them?
Speaker AYeah.
Speaker AYou.
Speaker CYeah, yeah.
Speaker CHe's like, not my mulcher.
Speaker DNot my money mulcher.
Speaker CMore money, more money, more mulcher.
Speaker AOh, Lord, no, no, no.
Speaker CMore mulch, more money.
Speaker AThat's right.
Speaker ASmitty takes a short trip down that mulcher shoot.
Speaker AYeah, but not if he puts up a decent fight because he gets hit with a hammer or something, and we think he's dead, but no, he comes back again, is fighting Adrian, but gets an all knife in the back and then into the mulcher.
Speaker CBoo.
Speaker CYeah.
Speaker CSo Smitty didn't go down without a fight.
Speaker ANo, he didn't.
Speaker ABut, you know, Adrian's racking up some cold, hard cash.
Speaker AOh, yeah, well, which is carrying around in open bags all around the park.
Speaker AFor some reason, he's not taking it home and putting it away.
Speaker AI don't know why he's going home, but whatever.
Speaker AHe's crazy.
Speaker DNo, he has to carry it around in a sketchy doctor bag, which is something a groundskeeper would totally have on him.
Speaker CZip.
Speaker CDoctor bag.
Speaker CAnd he's only killed two people.
Speaker CBut he has a lot of money.
Speaker CWell, unless it's all at once.
Speaker AWell, we saw it later on.
Speaker AHe did kill another person later on, but I don't know.
Speaker AWhatever.
Speaker AAnd that person.
Speaker AThat guy was worth something.
Speaker CThat would be funny if they could give you, like, a thousand dollars all in ones.
Speaker AI made 75.
Speaker DYou had to make it rain.
Speaker AOkay, so now we cut back to curious guts.
Speaker ARyan and Mickey conversity with the news about what happened.
Speaker AWe found the mulcher.
Speaker AWe found Robert Smith, but this happened, and that happened.
Speaker AAnd then they blurred out the whole thing.
Speaker AAnd, like.
Speaker AAnd it's evil, and it's the devil, and that way we're gonna find out about the curse of.
Speaker ABlah, blah, blah, blah, blah.
Speaker AWhat's happened?
Speaker AJack's talking.
Speaker ATo whom?
Speaker DLloyd, like, cut.
Speaker DStands up from behind a counter.
Speaker ASorry.
Speaker ASorry.
Speaker AWe skipped the scene.
Speaker AIn doing this separate separation of things.
Speaker AWe skipped the scene.
Speaker AOkay.
Speaker AI forgot early on when I got distracted by.
Speaker ABy.
Speaker ABy Mickey drying her hair.
Speaker AAnd there's a.
Speaker AThere's somebody peeking in Mickey's window, which.
Speaker DIs terrifying because we just had that episode where someone broke into their apartment, threatened her with a knife.
Speaker DSo she's.
Speaker DYeah, knife in her nose.
Speaker DBecause that's the most threatening sexual thing we can do on Canadian television.
Speaker DSo she, like, runs into Ryan's room, and, like, Ryan's noodling around on the guitar, and she's like, there's someone outside my window.
Speaker DHelp me.
Speaker DAnd he goes to, like, hold the guitar as a weapon.
Speaker DThen he thinks better of it and puts it down.
Speaker DHe's like, it's a 67 fan.
Speaker DIs worth that Stratocaster.
Speaker DSorry.
Speaker DSorry.
Speaker CActually, I got a confession to make.
Speaker CWhen I.
Speaker CWhen I was first watching this, I'm watching it, and Mickey's combing her hair, combing her back.
Speaker CComb.
Speaker CBonanza.
Speaker CCombing, combing, combing.
Speaker CColeman Combing, combing.
Speaker AKeep that back home coming.
Speaker CAnd then she screams and backs up, like, wait, what happened?
Speaker CI was watching again.
Speaker CI was like, oh, you see in the window, someone milling around like the.
Speaker DShadow you were so obsessed with the hair, you didn't see the window.
Speaker AYou couldn't see the window through the hair.
Speaker AYou couldn't see.
Speaker ANow you couldn't see.
Speaker DOh, my God.
Speaker CFocused on her hair.
Speaker CAnd I noticed that there was she.
Speaker AThe hair.
Speaker CRacked focus.
Speaker DAnd then she's like, for you, maybe.
Speaker AOh, honey.
Speaker AI'm a track.
Speaker AI've been tracking conversations about this show online.
Speaker AEverybody who watched it is obsessed with Roby's hair.
Speaker AIt's like, straight.
Speaker AA young, old.
Speaker ANobody can get enough of Roby in her hair.
Speaker CNobody can resist the hair.
Speaker CThe hair is life.
Speaker AThe hair is cursed.
Speaker AThe hair is cursed.
Speaker AIt's cursed.
Speaker AThat's what it is.
Speaker CBut she backs up for like 10 seconds.
Speaker CLike, pauses, and then goes against Ryan.
Speaker CLike she doesn't see someone trying to run away.
Speaker CShe sees someone, slowly backs up, backs up, hits the wall, turns and goes, ryan, there's someone at my window.
Speaker AShe's a professional, okay?
Speaker AShe survived many situations like that.
Speaker AShe knows what to do.
Speaker AI'm just gonna trust.
Speaker CWhatever.
Speaker AWhatever.
Speaker AWhatever.
Speaker ABut, yeah.
Speaker AAnd then we come back into the room, and this mysterious figure has broken into Robbie's room.
Speaker AAnd.
Speaker AAnd.
Speaker AAnd rightly so.
Speaker ARyan jumps him, knocks the ground, and is choking him.
Speaker CHey.
Speaker CGo, Ryan.
Speaker DGo, Ryan.
Speaker AExcept.
Speaker AExcept Robbie's like, no, no, stop.
Speaker AIt's.
Speaker AIt's Lloyd.
Speaker AIt's my boyfriend.
Speaker EAll right.
Speaker DOkay.
Speaker BSo we finally get to meet face to face.
Speaker BHi, Ryan the lion.
Speaker AHey.
Speaker BDon't look at me.
Speaker BMost people ring doorbells.
Speaker BYou could have been a burglar.
Speaker BHow many burglars do you know wear Brooks Brothers virgin wool?
Speaker AWhat was it?
Speaker DThis is virgin wool.
Speaker ABrooks Brothers virgin wool.
Speaker AThank you very.
Speaker AWell, I don't know how many.
Speaker AI don't know how many intruders would break in wearing Brooks Brothers virgin wolf.
Speaker AShut the fuck up, Lloyd.
Speaker DLloyd, don't break in through a window.
Speaker DIt's creepy and terrifying.
Speaker AHe shows no remorse for doing this.
Speaker ANo remorse for scaring the hell out of her.
Speaker AAnd, like, does never does not apologize for breaking the law.
Speaker AOh.
Speaker ABreaking nothing.
Speaker ANothing.
Speaker ASo this.
Speaker AThis episode does nothing to portray Lloyd as a two, three dimensional character.
Speaker AHe's bad.
Speaker AYeah, yeah, but everybody sees him but Mickey.
Speaker ABut anyway, yeah.
Speaker AAnd we get into an argument.
Speaker AHe's like, well, I think it was.
Speaker AOkay.
Speaker AI didn't have to tell you because I didn't come here to visit you.
Speaker AI came here to do, you know, meet clients, work.
Speaker AAnd I just started to span you because I think you living with these two guys here is really weird.
Speaker AI think you're having an affair?
Speaker EI can't believe that you flew out here just to check up on me.
Speaker BI flew out here to take some depositions.
Speaker BComing over tonight was purely unpremeditated.
Speaker EWell, that's no excuse for spying on me.
Speaker BYou're right.
Speaker BIt's not.
Speaker BBut I felt I didn't have a choice.
Speaker BI had to know for sure if there's another man in your life, and I'm still not convinced there isn't.
Speaker EYou can't be serious.
Speaker ERyan.
Speaker EHe's my cousin.
Speaker BOnly by marriage.
Speaker BI had him checked out.
Speaker BBesides, stranger things have been known to happen.
Speaker ENothing could be stranger than being involved with Ryan.
Speaker DAnd she's like, nothing would be weirder than me dating Ryan.
Speaker DAnd he's like, I looked it up.
Speaker DHe's only your cousin by marriage.
Speaker AAnd Ryan's like, I'm standing right here.
Speaker ALiterally just saved your life from an.
Speaker CIntruder, and you're talking me already.
Speaker CThanks, Nikki.
Speaker AYeah.
Speaker AOkay, so anyway, they have this thing.
Speaker ASo Lloyd's back in town.
Speaker ANow we skip forward back to that scene I was talking about.
Speaker AThey come in babbling about the curse and, you know, evil and the devil and Uncle Lewis and shit.
Speaker AAnd it turns out Lloyd heard the whole thing.
Speaker EWe checked in his house, throughout the gardens, wherever we could think of, but there was no sign of it.
Speaker BBefore you say anymore, I think he fooled us with that nice guy act and took off with it.
Speaker BBet you anything he knows the mulcher's cursed and he's been making coleslaw.
Speaker BSomething wrong?
Speaker BLloyd came by to see.
Speaker AOh, so now Mickey has to explain what goes on at Curious Goods to Lloyd.
Speaker ASo what did she do?
Speaker AWhat did she do?
Speaker AExplain things.
Speaker DWe go to the vault.
Speaker DShe's like, look at all these cursed items.
Speaker DYeah, I'm sorry.
Speaker DI can't do the ruby accent, so I'm just making it up as I go.
Speaker COh, no, it's good.
Speaker CIt's good.
Speaker AYou know what?
Speaker DEvery.
Speaker CEvery.
Speaker AEvery attempt.
Speaker AEvery attempt is a thing of booty.
Speaker EEvery one of these is cursed by the devil and Uncle Lewis.
Speaker EI know that's difficult for you to believe, Lloyd, but you just have to trust me.
Speaker BYou're telling me the three of you believe there's a supernatural power working here?
Speaker EIt's not a delusion.
Speaker EYou're acting like this is some kind of a fantasy.
Speaker DBut she's like, look, these are all the cursed items.
Speaker DThey're here in the vault.
Speaker DAnd Lloyd's like, oh, yeah?
Speaker DIs this curse he picks up?
Speaker DVita.
Speaker AVita.
Speaker EThis caused people to go blind,.
Speaker BAnd.
Speaker EThis is responsible there's several homes burning down.
Speaker BI suppose this little doll tears people's throats out.
Speaker EPut that down.
Speaker BI can't believe this.
Speaker EYou have to get out of here.
Speaker BYes, I believe I do.
Speaker DYeah.
Speaker AWell, he's like, what does this little doll do?
Speaker ARip people's throats out.
Speaker ARoby's like, actually,.
Speaker DHe puts Vita back on the shelf.
Speaker DAnd then, like, Vita sits up and looks at him.
Speaker CShe hisses at him.
Speaker ANo, she doesn't.
Speaker COkay.
Speaker DShe doesn't hit.
Speaker AI would have to paramore.
Speaker CI just remembered it.
Speaker DThere would have been an auditory cue, and he would have been able to go.
Speaker DAnd then he'd believe her.
Speaker DAnd we just can't believe women.
Speaker DIt's not what we do.
Speaker AAs soon as the doll sits up.
Speaker CYeah.
Speaker AAs soon as the doll sits up.
Speaker AMickey's like, you have to get away from there right now.
Speaker AAnd we have to get out.
Speaker AAnd instead of turning around going, look.
Speaker DTurn around and look at the fucking doll, you idiot.
Speaker AYou just.
Speaker AThis doll's proving my fucking point that these things are fucking evil.
Speaker ABut she doesn'.
Speaker AOh, by the way, we forgot we got to mention that at the asylum, it was the turn of Jack's bucket hat.
Speaker DI do have in my notes the return of the cursed bucket hat.
Speaker AAnd I told Maya last time, that's a permanent item.
Speaker AI watched something from season three, and he's still wearing that hat.
Speaker DI am so disappointed.
Speaker DI am disappointed in the hat growing on me.
Speaker DHow can a series that gave us the fez give us this recurring bucket hat?
Speaker AI have a theory on the fez that we'll get to later.
Speaker AIt's not making sense that we're seeing things in chronological order.
Speaker AJack and Ryan go to do their undercover work at the park.
Speaker AShe stays home to mope.
Speaker ASo we're gonna leave her alone for a while.
Speaker ANo.
Speaker AEverything, everything, everything that happens with this.
Speaker AWith this.
Speaker AWith her moping and a few scenes go back and forth so much that I think it'd just be easier.
Speaker AWe're gonna go to talk about what's happening.
Speaker AEvil stuff at the park.
Speaker CYeah.
Speaker AAnd then come back to talk about Roby.
Speaker DYou got it?
Speaker AOne big chunk or two.
Speaker ASo they're undercover at the park, and we.
Speaker AThey get.
Speaker AThey're good.
Speaker AWearing some sexy overalls.
Speaker CYeah.
Speaker DThey do not fit Jack.
Speaker AThey don't fit either one of them.
Speaker DAnd just want to yank him out of his butt.
Speaker AThat was the thing that was amazing about.
Speaker AIt was on.
Speaker AIt was on everybody.
Speaker AIt was Looked like this on Smitty.
Speaker AIt looked like this on Adrian, it looked like this on Jack and it looked like on Ryan.
Speaker AThey're completely shapeless and non forming anywhere except the crack of their ass.
Speaker CIt's.
Speaker AAll of a sudden, it's like ass crack all the way up to the middle of their back.
Speaker COh, God.
Speaker AOh, God.
Speaker DIn garments, that measurement around your torso vertically is called girth.
Speaker DIt sounds dirty, but it's not.
Speaker AExcept you guys got some long bones or something.
Speaker AI don't know what's happen.
Speaker ALong, long Canadian bugs.
Speaker AOh, yeah, the moose buns.
Speaker CSure, yeah.
Speaker AOh, yeah.
Speaker DFor that physical activity you get upstate,.
Speaker AThough, you gotta get it from the curling.
Speaker DCurling and hockey.
Speaker AFrom the curtain.
Speaker AFrom the curling.
Speaker AI'm sorry.
Speaker ECanada.
Speaker AI'm sorry.
Speaker AI love you, but there's a lot of running around because they're still looking for Smitty.
Speaker DWe.
Speaker AThey don't know Smitty's dead.
Speaker AThere's a lot of running around.
Speaker AWhere Smitty?
Speaker AWho's Smitty?
Speaker AHas anybody seen Smitty?
Speaker ATrying to find the mulcher.
Speaker ASo there's a lot of going on there that's not very interesting.
Speaker DAnd we're getting closer to the unveiling of the.
Speaker DThe park as a public place.
Speaker DSo no one wants to talk to anyone about that.
Speaker AYeah.
Speaker AAnd of course, now that Adrian has got a little taste of cha ching cha ching and is figuring how all this works, he's setting his sights on bigger targets.
Speaker ASo he sets his sight on Mrs. Harrington's assistance.
Speaker AThe one who's like, well, Adrian, I think the tiger lilies in the east field are looking exceptionally delightful.
Speaker AI'm like, oh, off.
Speaker DThe man wears a silk scarf.
Speaker AHim, the same sick guy who said lunch.
Speaker AAnd I'm like, this guy, put him in the mulcher.
Speaker AJust get him in the mulcher.
Speaker AI can't stand this guy.
Speaker AJust mulch him.
Speaker DGet him of here.
Speaker BAnd we'll have tiger lilies surrounding the memorial stone.
Speaker BYes, sir.
Speaker CBy the way, have you seen Smitty anywhere?
Speaker CHe went off early yesterday and hasn't shown up at all today.
Speaker CJust not like him.
Speaker BYeah, as a matter of fact, I have.
Speaker AI just left him.
Speaker AHe's over by the shed.
Speaker BOh, fine.
Speaker AI can take you over there.
Speaker CI can find my way.
Speaker BThank you.
Speaker ABut yeah, so, yeah, so we get another nasty, nasty mulcher murder.
Speaker AHe sneaks up.
Speaker AHe lures him to the.
Speaker ATo the utility shed.
Speaker DWell, this is the one we throw in live right in the chest.
Speaker AAnd then it's throwing in the mulcher.
Speaker AAnd it turns out he ain't Dead yet.
Speaker ASo we get to watch, watch, watch this poor guy's faces.
Speaker AGoes into the mulch.
Speaker AReally.
Speaker DHe goes in feet first.
Speaker DAnd you get to see him realize he's being shredded to death.
Speaker DIt's gnarly.
Speaker CThat's.
Speaker CThat's gross.
Speaker AKudos to the production that you don't see anything.
Speaker AAnd you don't even see any blood.
Speaker AAnd still grizzly as hell.
Speaker AYou're like, that is nasty.
Speaker DIt's very upsetting.
Speaker DI was quite pleased.
Speaker AThat guy was so upset that he threw his glasses like, where I just like, threw him a glass.
Speaker AThese have to be found later.
Speaker ABut no, it's very upsetting.
Speaker ABut now, now, now he's rolling in cash.
Speaker AThere's one real big target here.
Speaker AAnd I could stop Mrs. Harrington.
Speaker AYeah, okay.
Speaker AThat's a good place to stop, right?
Speaker ABecause now we cut back to the shop.
Speaker AMickey's moping in bed in a headband.
Speaker COh, yeah.
Speaker ACan we talk this head?
Speaker AWell, actually, it was.
Speaker AActually, I think it was symbolic because it let us all know that she was about to get physical.
Speaker CPhysical.
Speaker AMake it gonna get physical.
Speaker AShe gets into physical.
Speaker AAnd.
Speaker AAnd Lloyd is in the bedroom with It's.
Speaker AOh, God.
Speaker AAnd he is schmoozing the shit out of her.
Speaker AAnd it's creepy.
Speaker BAs I believe you believe in this curse business.
Speaker BOne Christmas when I was a kid, my older sister pointed up to the sky and said, do you see it?
Speaker BThere's the sled and the reindeer.
Speaker BThere's Santa.
Speaker BI looked up and I did see it because I believed in her.
Speaker BI believed that it was there.
Speaker BSee, the imagination is a very powerful thing.
Speaker AAnd here is hair crime.
Speaker AHair crime number four.
Speaker AAnd it's Lloyd's.
Speaker DSure is sure.
Speaker ABecause Lloyd, for this whole show has had his hair slick.
Speaker ASlick back.
Speaker ADon Jr.
Speaker AStyle.
Speaker AIn the long shots in the scene, it's natural, like kind of curly, wavy.
Speaker ABut then in close up, it goes back to slick.
Speaker ASo his hair keeps changing from shot to shot.
Speaker DThere must have been a weird re shoot or something, but.
Speaker AAnd oh, oh, we don't have any dippity do.
Speaker COh, no.
Speaker AOh, no.
Speaker DOh, no.
Speaker DWe ran out of that Canadian hair, Joe.
Speaker DThough it was sure to look fine in the way.
Speaker AAnd he's giving her that whole.
Speaker AThis whole line that makes.
Speaker AIt's really gross.
Speaker AMaya, help me out here.
Speaker AI'm sure you got this one.
Speaker DOh, God.
Speaker DIf you really love me, you'll come back.
Speaker DThey don't need you here.
Speaker DWhat you're doing isn't real.
Speaker DOh, God.
Speaker DAnd then he does the.
Speaker DMy, my.
Speaker DSister.
Speaker DMy sister used to see and hear things, and I believed that.
Speaker CYeah.
Speaker COh, she thinks she saw them, and I believe she thought.
Speaker AAnd I was a kid, and I said I thought I could see Santa Claus, too.
Speaker ASo I believe that.
Speaker AYou believe.
Speaker ABut we.
Speaker AYeah, you and he's.
Speaker CMickey's given no consistency as a character at all.
Speaker CLike, she just was.
Speaker CLike, she's been there for how many episodes?
Speaker CAnd she's just like.
Speaker CBut Lloyd.
Speaker DNo, no, no.
Speaker DThe.
Speaker DThe.
Speaker DMy head cannon here is entirely about being swayed by dick.
Speaker CExactly.
Speaker DYeah.
Speaker CThat's what it is.
Speaker DNikki has not been getting any dick.
Speaker DAnd because she's engaged stupidly, this is her only source of dick.
Speaker AYeah.
Speaker CBut any strength or character ever has just wilts away because she's so whiny.
Speaker AYeah, yeah, yeah.
Speaker AI mean, I could see longing for your old life, but this old life has given no temptation for us as an audience.
Speaker ALike, we don't want her to go.
Speaker ANo, no.
Speaker ABecause this guy's a pig.
Speaker DWell, especially not with Lloyd.
Speaker DLloyd's awful.
Speaker DThere's nothing good about Lloyd.
Speaker CWell, there's nothing to convince her to stay.
Speaker AAnd with a scene, what gave me the real oogies is that she's so incredibly passive during it.
Speaker AShe doesn't say a word.
Speaker AShe's lying on the bed, lying there, passive, just listening to every word that she says, making a little happy.
Speaker AHappy Mickey faces.
Speaker AAnd he just keeps pouring her champagne and plying her with booze and playing with.
Speaker ALike, this is gross.
Speaker BI want you to come home with me tomorrow.
Speaker BI want things back the way they were.
Speaker BAnd I think you do, too.
Speaker BIf you stay here, I can only assume you want to call off the wedding.
Speaker AThis is gross.
Speaker AAnd if he's just going on and on, she's like, you gotta come home with me because I support you, because I love you, understand you.
Speaker AI'm one of you.
Speaker AIt was really weird.
Speaker AThey started singing Evita.
Speaker DNo, I. I would see a good reason to go with Peron.
Speaker DI do not see a reason to go with Lloyd.
Speaker ANo, no, no, no.
Speaker AHoney, honey, start singing.
Speaker AAnother suitcase in another hall.
Speaker AThat's a better song to be singing right now.
Speaker AGet the out of there.
Speaker AGet the out of there.
Speaker DGet the out.
Speaker AAt the end of it, she.
Speaker CShe.
Speaker AShe paraphrases Franken Footer and says, I'm coming home.
Speaker AAnd they.
Speaker CYes, they do.
Speaker AAnd they.
Speaker AAnd now Ryan comes home tired, miserable, frustrated.
Speaker AHe's been out there working in the field all day, hunting down murderers, putting his life in jeopardy, and walks in on Mickey.
Speaker ALike, was Stumbling out of her bedroom.
Speaker DLike, glowing,.
Speaker CAnd she doesn't want to.
Speaker ADiaphragm.
Speaker ADiaphanous nightgown and everything that she was not wearing before.
Speaker DNo, she's wearing it to bat mask in the afternoon.
Speaker AWhat is my.
Speaker AWhat is my rule for this show?
Speaker AWhen people start wearing diaphanous is about to get real.
Speaker AAnd gets real right about now because Ryan is having none of this.
Speaker AWe're playing the sound clip.
Speaker ERyan.
Speaker EI. I don't know what to say.
Speaker BYou going back with him?
Speaker BI've been pulling weeds all day trying to find a murderer.
Speaker BYou've been.
Speaker BI don't believe this.
Speaker BWhat about the pact we all made?
Speaker EHey, I never made a pact with you.
Speaker BYeah, well, what about all those people out there who still have cursed antiques, some of which you and I sold them?
Speaker AHm?
Speaker AWhat about that?
Speaker EYou can't blame that on me.
Speaker EWe had no idea about it.
Speaker BSo what?
Speaker BWe still have a responsibility.
Speaker ECut the crap, Ryan.
Speaker EThe only reason you're living here is because you like it.
Speaker CWell, and she does not care that Ryan knows that she just got dicked down.
Speaker AShe.
Speaker CI mean, she's basically shouting it from the rooftop.
Speaker AYeah, and she's also just reneging everything that we've done on the whole.
Speaker AShe's like, I never made a pack.
Speaker AYes, you did.
Speaker AActually.
Speaker AIt was your idea.
Speaker DYes, you did.
Speaker DYou were there.
Speaker AYour idea.
Speaker AMickey, I went back and checked.
Speaker ASeason one, episode one.
Speaker AIt was her idea.
Speaker ALike, we can't leave this place until we get all that stuff back.
Speaker AIt was her idea.
Speaker AIt's her fucking pack.
Speaker ASo now I'm feeling no sympathy for you either, Mickey.
Speaker AGet a little bit of d. She's dickmatizing.
Speaker AI wonder if his pubes are like.
Speaker ALike curly greased.
Speaker ACurly.
Speaker DPut that back in your pocket.
Speaker DI don't want to think about that.
Speaker CNo, you know, he's the guy who just shaves it.
Speaker AI also, I thought it was cute that since we're on a charming Canadian TV show that we.
Speaker AThat we can watch people get put feet first into a vulture, but we can't say that Mickey had sex.
Speaker AYeah, it's like we've been around here all day.
Speaker DAmerican television is bad about that.
Speaker AAlso doing whatever.
Speaker AYeah, but she.
Speaker BShe.
Speaker AShe.
Speaker AShe winds up slapping him in the face.
Speaker EThere are many problems in this world that I am never going to be able to solve.
Speaker EThat's simple truth.
Speaker EWhere is it written, then?
Speaker EI have to sacrifice my life and happiness for this place?
Speaker EHuh?
Speaker BSacrifice?
Speaker BWhat do you.
Speaker BWhat do you have to sacrifice?
Speaker BExcept for maybe Mr. Snot knows I really.
Speaker ARyan gets slapped in the face.
Speaker CKind of nice.
Speaker CIt was kind of validating, though.
Speaker AIt wasn't, but it was even a good slap line.
Speaker AHe like, I could see if it was after that he'd been around here doing whatever.
Speaker ASlap in the face.
Speaker DBut it was.
Speaker AI'm playing the sound clip.
Speaker AWhatever it was when she hits him is really nothing to hit him over.
Speaker CNo.
Speaker ABut she's got some pent up stuff.
Speaker ABut anyway, so Mickey's leaving.
Speaker CYeah.
Speaker ABye.
Speaker ABye.
Speaker CHe's going home.
Speaker DBye.
Speaker ABye, Mickey.
Speaker AIt's okay.
Speaker ASo now it's the next day.
Speaker AJack and Ryan are back at the park.
Speaker CYeah.
Speaker AThey've gone their separate ways.
Speaker AJack runs at one point, runs down a hill at one point.
Speaker AAnd I was like.
Speaker ARuns like Jake.
Speaker DYeah, it's.
Speaker ABut yeah.
Speaker ASo Ryan.
Speaker ARyan makes the mistake of asking Adrian if he's seen.
Speaker ASeen Smitty or seen a mulcher anywhere.
Speaker CNow after all these episodes, you think Ryan will be able to tell who the villain is?
Speaker DAnd he hides the giant red mulcher like under some low hanging branches.
Speaker DIt's like barely in a bush.
Speaker DIt's not.
Speaker DIt's.
Speaker DIt's not obscure.
Speaker CPushes it backwards like 20ft into the trees.
Speaker DMulcher.
Speaker DWhat Mulcher?
Speaker AYeah, I mean, they get in a big fight.
Speaker AThere's a.
Speaker AThere's a sickle chase again.
Speaker AThere's some knife playing.
Speaker AAnd Ryan gets out and locked in the.
Speaker AAnd gets locked in the tool shed.
Speaker ATool shed.
Speaker AUntil he.
Speaker AThis guy can go take care of Mrs. Harrington.
Speaker AHe wants to take care of her first.
Speaker DWell, she's worth way more money.
Speaker DRyan obviously doesn't have any money.
Speaker CHe volunteers.
Speaker AI got bubble gum.
Speaker ABubble gum.
Speaker AIt's the mulcher.
Speaker AGets all chewed up.
Speaker ABlown bubbles.
Speaker CAnyway,.
Speaker AYeah, Jack's all alone.
Speaker AHe's like.
Speaker AAnd then.
Speaker AAnd then can't find Ryan.
Speaker AHe's panicking.
Speaker AWe see that Adrian is confronting the old woman in the office.
Speaker AOh, hello, young man.
Speaker AAdrian, is it?
Speaker AWhat can I do for you?
Speaker AYou have no idea what you can do.
Speaker ACan set me up for life.
Speaker AScene.
Speaker AI love this woman.
Speaker AScreamed like a foghorn, But she's great.
Speaker AThere's all.
Speaker AAgain.
Speaker AAgain, this isn't the best role for an older woman, but this woman is great.
Speaker ALike, she conveys this whole character really easily.
Speaker AEven though she doesn't have a lot of scenes or dialogue, you get a real sense of who this woman is.
Speaker DYeah, she's very concise.
Speaker CAnd I just kept thinking I've seen her somewhere before.
Speaker AShe's got that face I looked at their credits.
Speaker AI didn't recognize anything.
Speaker AAvonlea.
Speaker AApparently everybody in this whole show was on fucking Avonlea.
Speaker CShe reminded me of the grandmother from Happy Gilmore, but that wasn't her.
Speaker DI see why you say that, but it also the.
Speaker DOh, what is the timeline like that?
Speaker DWhen is happy Gilmore92.
Speaker AYeah.
Speaker CI don't know.
Speaker AYeah, I don't.
Speaker AI'm not up on my.
Speaker ABut she looked like her.
Speaker CI guess she just looked enough like her.
Speaker DNo, Adam Sandler has like, two good movies and Happy Gilmore is one of them.
Speaker CBilly Madison's the other.
Speaker DAnd Billy Madison is clinging on by the skin of its teeth.
Speaker CYeah.
Speaker AIs this the Billy Madison cast?
Speaker ANo, it's not.
Speaker AAll right.
Speaker AYeah.
Speaker ASo there's a big confrontation there.
Speaker ABut meanwhile, Mickey shows up.
Speaker DShe.
Speaker DOkay.
Speaker DShe fought Lloyd on having to leave.
Speaker DLloyd's like, you gotta get in the car.
Speaker DWe're gonna miss her flight.
Speaker DAnd she's like, no, they would be here.
Speaker DThey said they would be here.
Speaker DAnd that means something is wrong.
Speaker DSo she is a crisis of conscious and she goes where she's needed.
Speaker ALoyalty.
Speaker ASaying, it's a setup.
Speaker AIt's a setup.
Speaker AHe's just playing.
Speaker AShe's like, it's not a setup.
Speaker AThey didn't know I was coming.
Speaker AThey didn't know I was coming.
Speaker ADon't you see?
Speaker BHe's obviously doing this just to keep you from leaving.
Speaker DHe didn't even know we were coming.
Speaker DLloyd, he's in trouble.
Speaker AThis is just a delay to delay things to make us miss our flight.
Speaker AThe other thing I thought was fascinating just as a modest perspective.
Speaker APerspective that Lloyd goes, okay, Mickey, our flight is at 2pm tomorrow.
Speaker ASo I gotta pick you up at.
Speaker DNoon maybe in Canada.
Speaker DThe airport security is really fast.
Speaker CWell, this was before 9 11.
Speaker AYeah.
Speaker ANo.
Speaker AYeah, you got to be there like nine hours early these days.
Speaker CBut this was before all 9 11.
Speaker AReally weird to hear.
Speaker CYeah.
Speaker ABut when Mickey shows up, I made the Evita joke before she got God gets out of this limousine or where the it was.
Speaker AAnd she's Republican.
Speaker AEvita, Mickey.
Speaker CYes.
Speaker DAnd her hair is contained.
Speaker DThat's how you know it's not really.
Speaker CNo.
Speaker AAnd you know if she gets back in that limousine, that hair is never going to be on free again, ever.
Speaker CNo more back combing.
Speaker CNo.
Speaker CNo more backcoming.
Speaker AShe looks absolutely terrified.
Speaker AShe looks like Nancy Reagan.
Speaker AShe's wearing green.
Speaker AIt's like a green version of Nancy Reagan.
Speaker CYeah.
Speaker AJust say no.
Speaker DYeah.
Speaker AI'm like, oh, no.
Speaker AOh, no, no, no.
Speaker AThis is really bad.
Speaker AThere's a Whole bunch of running around.
Speaker AAnd eventually, final showdown at the.
Speaker AAt the mulcher.
Speaker ARyan has got.
Speaker AJack has gotten Ryan out.
Speaker AAnd everybody's fighting.
Speaker AIs, is the old woman going to go in the mulcher?
Speaker AIs Ryan going to get thrown in the mulcher?
Speaker ANo, because somebody gets the bright idea to throw Adrian's big bag of money and instead.
Speaker AHey, Adrian, catch.
Speaker CHey.
Speaker CWant this?
Speaker AWe know all about the mulcher.
Speaker ALet it go.
Speaker BIt's over.
Speaker AIs it?
Speaker ASo what I rich man?
Speaker ANot anymore.
Speaker AAnd Adrian being a fool for the dome goes right for that money.
Speaker AAnd this being Friday the 13th, the series, the mulcher claims its prize.
Speaker CYep.
Speaker AYeah, you don't get nothing for free on this show.
Speaker ASo Adrian gets mulched, and turns out you don't even get cash for him.
Speaker BNothing but blood because he wasn't even worth a dollar.
Speaker DNot worth a dollar, I believe is what Jack says.
Speaker DAnd the bag where money came out is just full of blood now.
Speaker ANot worth a dueler, as it said.
Speaker AI mean, obviously 80 yard line that was added afterwards, but yeah, so it's over.
Speaker AThis horrible thing happened.
Speaker AAnd I mean, everybody's very chill about seeing somebody just get mulched.
Speaker CWell, you know, for them it's another day.
Speaker AImmediately has to make a joke.
Speaker AShe's like, are you okay?
Speaker AShe's like, it's all right.
Speaker AI just hurt my head.
Speaker AShe's like, oh, then you should be fine.
Speaker AAh, dead person right there.
Speaker AYou all right?
Speaker BJust my head.
Speaker ENo serious damage then.
Speaker AHardly.
Speaker AMutin.
Speaker DYeah, they're always really weird with that, like, banter.
Speaker DWe're gonna do a joke right now.
Speaker DNo one has any time to recover from the grizzly murder they just.
Speaker DJust were a part of.
Speaker ABut no.
Speaker AIs the Mickey moping over?
Speaker ANo, she's not going back with Lloyd.
Speaker ABut she's pissed of being back.
Speaker AAnd she's railing.
Speaker AShe's railing at, at, at, at Ryan about everything.
Speaker AShe's like, we never get anything done.
Speaker AIt's that same rant that we're hearing a lot.
Speaker AIt's all pointless.
Speaker AAnd why do I have to do this?
Speaker AAnd she storms off once again into her bedroom.
Speaker ASlams the door.
Speaker ADum, dum, dum, slam.
Speaker ABut when she comes out to apologize, she sees that Ryan has hung a sign that says welcome back, Mickey that he printed out on like a 1982 do matrix printer that probably took seven hours to print.
Speaker AAnd that's enough.
Speaker AShe's back.
Speaker AMickey's back.
Speaker CYep.
Speaker CYay.
Speaker AAnd that's the show.
Speaker CWell, we've tied up the Long ass plot thread of Mickey's.
Speaker CEven her fiance.
Speaker CYep.
Speaker CDragged on for episode after episode since.
Speaker AWe watched an episode out of order and I've watched a few in between now, like, it's right about here that Mickey's wardrobe starts to go bananas.
Speaker BYeah.
Speaker CYay.
Speaker AI think it's because she doesn't have Lloyd.
Speaker AOh, she's acting out.
Speaker DOh, yeah.
Speaker DShe's acting out and she's trying to reclaim herself.
Speaker AYeah.
Speaker AThat's why she's wearing these ridiculous episodes.
Speaker AThat's where she got the fest.
Speaker AEveryone's like, don't say anything.
Speaker ADon't say anything about the Pheasant Deloitte thing.
Speaker AJust let her have it.
Speaker ALet her have the first.
Speaker DDon't mention, you know, how she's been.
Speaker DJust don't mention it.
Speaker DBecause then it's going to lead to a breakdown.
Speaker ASlamming of doors.
Speaker AThere'll be no.
Speaker AShe was saying to the cocoa.
Speaker AThere'll be knife nostrils.
Speaker AIt'll be bad.
Speaker ANo, just let her have a bad fez.
Speaker ADon't even think about it.
Speaker CThe fez is better than the.
Speaker CThan the Mickey moking.
Speaker CSo just.
Speaker AYeah, okay.
Speaker DI love the fez.
Speaker AThis was a weird episode in that you had a really cool villain and a really cool cursed object that never really got the spotlight it deserved.
Speaker CNo.
Speaker AWhich was unfortunate because we spent too.
Speaker DMuch time with Lloyd.
Speaker DLet's blame Lloyd for all of that.
Speaker AYeah.
Speaker AIt's all Lloyd's fault.
Speaker CWell, the weird thing about this is the mulcher seems like something you throw out in the third season when you're running out of objects.
Speaker CBecause this is not an antique week.
Speaker DRight.
Speaker DLike in the writer's room, you're like, all right, what else could be cursed?
Speaker DAll right, we've done a scalpel.
Speaker CWe've done a shoehorn.
Speaker DWe did it.
Speaker DWhat?
Speaker DYeah.
Speaker DOkay.
Speaker CYeah.
Speaker COh, so.
Speaker COh, shoehorn was, you know, a pencil sharpener.
Speaker CThat's a third.
Speaker CThat's the third season.
Speaker DWhat about like a cursed vegetable peeler?
Speaker AThere's some serious stuff with that.
Speaker AThe other thing I noticed now is that one of the things that was being dropped top are backstories for the cursed items.
Speaker AAnd I kind of like it.
Speaker CYes.
Speaker ALike the early ones, it was always like.
Speaker AAnd then belonged to some king who decided that everybody was really ugly.
Speaker ASo he made this statue that was real of Cupid that was really ugly that would seduce everybody.
Speaker AI'm like, yeah, I can.
Speaker DNo, the.
Speaker DThe morality tale stuff wasn't working for the show.
Speaker DIt wasn't serving it.
Speaker DIt's.
Speaker DHere's an Item.
Speaker DIt's cursed.
Speaker AYes.
Speaker ANow, what I'm picturing is that somebody coming into Curious Goods and Uncle Lewis being like, this is what you want.
Speaker AThis is what you want.
Speaker AHold on a minute.
Speaker AMumbo jumbo.
Speaker CMumbo jumbo.
Speaker CCursed.
Speaker AThere you go.
Speaker AIt's all for you.
Speaker ALike, what's bespoke cursing?
Speaker DBespoke cursing.
Speaker AYeah, yeah, yeah.
Speaker AIndividualized curves cursing.
Speaker AAnd I think that works a lot better.
Speaker AIt's a lot cleaner.
Speaker AYeah, but where?
Speaker CThe antique store.
Speaker CDid he fit the mulcher?
Speaker AIt might not have been in the store.
Speaker AIt might not have been in the store.
Speaker AWho knows?
Speaker AI mean, it's just.
Speaker AIt's just a mulcher from 1937.
Speaker AThere's no backstory to it.
Speaker CThat's such a random idea.
Speaker CIt's funny.
Speaker CI do.
Speaker CI do, too, because it's just so random.
Speaker AIt's grizzly, though.
Speaker AIt's a nice grizzly.
Speaker CVisceral.
Speaker COh, it is visceral curse.
Speaker DIt's very upsetting.
Speaker AThe other ones later on get really obtuse.
Speaker AThe pool cue.
Speaker AI wonder what it does.
Speaker ADoes it make you win ball games and you have to stab people with it?
Speaker EYeah.
Speaker CHuh.
Speaker DIt sounds a lot like some boxing gloves we hung out with earlier.
Speaker ALet's at least get.
Speaker AYou get a shadow that does the killing force.
Speaker DNo, that was.
Speaker DThat was cool.
Speaker CThat was clever.
Speaker DYeah.
Speaker AOkay, so my celebrity casting, which I did not do last time.
Speaker AI'm sorry I'm spreading this on.
Speaker AYou guys haven't thought about it.
Speaker AMy celebrity casting is really obvious.
Speaker AI want Robert Smith to play Robert Smith.
Speaker AI'm gonna take my bath.
Speaker AAdrian, what a great idea.
Speaker AAnd you know what?
Speaker AWhy can't I be you?
Speaker AShow me, show me, show me how you do that trick with the mulcher that make turns it into cash.
Speaker DThe one that makes me scream.
Speaker AShe said, I can't think of an alternative curse for this.
Speaker AThis thing.
Speaker AThe curse is perfect.
Speaker AWait, in.
Speaker DIt is just like Scrape off the cat.
Speaker DLook at what you.
Speaker AYeah, that's Root of All Evil.
Speaker DI, for one, am disappointed that we did not mulch any roots.
Speaker DIf you're going to name it Root of All Evil, I want there to be a root.
Speaker AOh, somebody got rooted, though.
Speaker AOh, yeah, Someone got the root.
Speaker ASo what is the root of all Evil?
Speaker DYeah, fine.
Speaker DFine.
Speaker DI said, fine.
Speaker DYou can have it.
Speaker ABut this is a transitional episode because from here on out, like, the next few ones are really good.
Speaker ALike, we've got.
Speaker CThey're fun.
Speaker AThe next one coming up is Scarecrow.
Speaker CNo.
Speaker ATales of the Undead.
Speaker AWhich is a cursed comic book with Ray.
Speaker ARay.
Speaker ANo, Mr. Hand.
Speaker AFrom Ray Walston.
Speaker ARay Walston.
Speaker AYeah.
Speaker AFrom Best Time with Ridge Mahal.
Speaker CMy favorite.
Speaker CMarshall.
Speaker DYeah.
Speaker ACool guy.
Speaker AJust cool.
Speaker AOld character, acting director, budget.
Speaker ABurgess Meredith.
Speaker AHe's in that one.
Speaker AAnd then you got Scarecrow coming up, which is one.
Speaker AWhich is a really scary one.
Speaker AAnd then we get the one that David Cronenberg directed.
Speaker ASo this big heavy hitter is coming up.
Speaker AAnd the powerhouses.
Speaker ASo this is Croninberg.
Speaker ABut we needed to get rid of Lloyd, so this was necessary.
Speaker DYeah, I am happy to get rid of Lloyd.
Speaker AOh, yeah, absolutely.
Speaker CI was sad he didn't get killed,.
Speaker DBut we should have put Lloyd in the military.
Speaker CI know.
Speaker EHe's a lawyer.
Speaker DHe would have been so much.
Speaker ASo much better if we throw Lord into the him.
Speaker AHey, Adrian, catch.
Speaker AHe's like, why?
Speaker AWhat?
Speaker DOh, no.
Speaker AMickey's fiance fell on the mulcher.
Speaker AOh, no.
Speaker AWhat are we going to do?
Speaker ASo sad for everyone.
Speaker AThey're all very disappointed.
Speaker AHey.
Speaker AHey, Ryan, did you get that reservation at Central Pez?
Speaker CBut no one tells Mickey about it, so she's constantly thinking about Lloyd and Rick and Ryan and.
Speaker CAnd Jack is spinning.
Speaker AI don't know what happened to him.
Speaker AI don't know what happened.
Speaker AI don't know what happened.
Speaker AAs they're picking their teeth with their life with G. All right, so, yeah, so that's it.
Speaker AThat's next time.
Speaker AThank you, everybody, for joining us for another episode of Damn you, Uncle Lewis.
Speaker AIt was a good time hanging out with you, and sorry this episode was late, but things have been crazy here.
Speaker ASorry.
Speaker ABut we're going to get back on track, and everything is going to be groovy and cool.
Speaker AMaya, you got anything cool going on?
Speaker ANo, I'm sorry.
Speaker AI mean, Trey, anything.
Speaker AMake them up if you need to.
Speaker DEveryone should look up the podcast company Vivid Whisper.
Speaker DI just wrapped my first narrative podcast with them.
Speaker DObviously, we're in post production now, but I will announce it when I it's available.
Speaker CCongrats.
Speaker CSounds good.
Speaker CAll right, good.
Speaker AAnything for you, Trey.
Speaker CNo.
Speaker AAll right, so until next time, my beautiful, beautiful Patreon subscribers, thank you for continuing to support the show.
Speaker AYou guys are awesome.
Speaker AStay safe, stay healthy, wear a mask, wash your hands, all that good stuff.
Speaker AAnd we got one thing to say before we go, right, kids?
Speaker BSam,.
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